Morality of Management Earnings Essay

The term â€Å"Earnings Management† is a type of â€Å"number smoothing† utilized by a company’s the board to control or impact the company’s profit to coordinate a pre-decided dollar sum. This is done trying to keep financials stable, rather than indicating money related changes. At the point when an organization seems, by all accounts, to be steady it has a more prominent possibility of pulling in financial specialists, which thusly requests higher offer costs. At the point when an organization can have higher offer costs, the almost certain they are to draw new financial specialists. In like manner, an organization that has low offer costs is frequently an impression of an organization that isn't doing great monetarily (Investopedia, 2009, para 2). Regularly, organizations perform injurious income the board rehearses with an end goal to â€Å"make the numbers† (Inevestopedia, 2009, para 4). So as to do this, the executives might be enticed to â⠂¬Å"make up† numbers as a methods for attracting speculators or to cause their organization to show up monetarily more grounded than what it really is. The techniques utilized in income the executives can be changed, and might be done through control of money related numbers or working strategies (As refered to by Gibson, 2013, p. 84). In an examination directed by the National Association of Accountants, a poll was readied which depicted 13 watched income the executives circumstances (As refered to by Gibson, 2013, p. 83). The following are five recorded speculations that can be made by the investigation discoveries with respect to momentary income the executives rehearses. 1. Respondents of the overview felt that profit the executives works on using bookkeeping strategies to be less adequate than techniques for working method control (As refered to by Gibson, 2013, p. 84). Control of tasks can incorporate something as straightforward as pushing transportation to the most recent day of the monetary quarter or soliciting clients to take early conveyance from products (As refered to by Gibson, 2013, p. 85). Another model is when organizations make â€Å"Unusually attractive terms to customers† or â€Å"Deferring important consumptions to a resulting year† (Rosenzweig ; Fischer, 1994, para 5). As per review reactions, specialists had less moral quandaries when utilizing operational income the board strategies contrasted with those including bookkeeping techniques (Rosenzweig ; Fischer, 1994, para 7). 2. At the point when it came to bookkeeping, review respondents felt that expanding income reports to be less worthy than the diminishing of profit reports (As cited by Gibson, pg. 84). Directors seem, by all accounts, to be increasingly agreeable in decreasing the general organization benefit when stores show raised numbers (As refered to by G ibson, p. 85). No doubt the board may expect that on the off chance that their hold numbers are high, at that point diminishing them to show lessor benefit worthy. On the off chance that the cash is truly there, at that point what is the mischief in decreasing the benefit add up to meet an assigned number? Be that as it may, when it came to revealing benefit expands, supervisors were reluctant in figuring out what profit the executives techniques would be moral and which would not. 3. Speculation #3 is like speculation number two where morals are concerned. Respondents felt that if income the executives strategies were kept little that it was more adequate than if the impacts were enormous (As refered to by Gibson, p. 84). At the point when controls of numbers or working methods are kept to littler changes, supervisors appear to feel it increasingly legitimate and worthy. For example, if the board were solicited to show an expansion from deals by $12,000.00, such controls would be more moral than if requested to build deals by $120,000.00. Similarly, if creation costs were postponed for publicizing to meet a quarterly spending it would be more adequate than if creation costs for promoting were deferred to meet the finish of year financial spending plan. This additionally ties in to speculation #4, the timespan of the end impact. 4. Timespans have a huge impact in deciding how moral income the board rehearses are. As portrayed above, when requested to modify numbers or working systems with an end goal to make quarterly conjectures, supervisors appeared to feel this training to be progressively worthy. When requested to modify numbers or working methods for yearly reports, in any case, the line among moral and faulty is obscured. 47% of respondents to the overview felt that profit the board rehearses that were made to meet a between time quarterly spending plan to be moral, while just 41% felt that such controls so as to make a yearly financial plan to be morally solid (Asâ cited by Gibson, 2013, p. 85). 5. When asked whether it was satisfactory to offer extraordinary stretched out credit terms to clients trying to build benefits, just 43% of overview respondents felt the training to be moral. Nonetheless, when inquired as to whether a similar final product would be moral whenever accomplished through requesting additional time to transport however much item as could be expected at the end of the year, 74% of respondents felt this control to be moral (As refered to by Gibson, 2013, p. 85). An amazing 80% of overview respondents felt that selling overabundance resources as a methods for understanding a benefit to be moral, while just 16% felt it would be flawed (As refered to by Gibson, 2013, p. 85). Transient profit the executives strategies, while sketchy, are regularly lawful. The adjustment of money related data trying to meet spending plans or as an approach to show benefit is frequently charming and a â€Å"easy† approach to draw financial specialists. Directors who use income the executives strategies must contemplate the effect such activities may have with key partners (As refered to by Gibson, 2013, p. 86). At the point when numbers are slanted well, it gives partners a misguided sensation that all is well and good in their speculations. Organizations who participate in momentary profit the board rehearses regularly set themselves up for misfortunes after some time. At the point when numbers are changed in accordance with make a quarterly or yearly dollar sum, odds are the accompanying quarter will discover the organization in the negative. Such practices are once in a while idiot proof and care must be taken when settling on profit the board practice choices. Concentrating on long haul income the board rehearses are eventually progressively good, yet so as to be viable administration must stay focused on steady operational systems. Anticipating the item needs of clients and looking forward are key procedures for keeping deals pay at a steady level. Holding up until the last moment to offer clients liberal credit terms with an end goal to help end of year or quarterly deals is a transient answer, best case scenario. Taking a gander at the buy history of clients and coordinating propositions deals number into future financial plans should help ease the need to fall back on a minute ago scrambling to make spending targets.

A Feminist Examination of Pride and Prejudice Research Paper

A Feminist Examination of Pride and Prejudice - Research Paper Example Characterizing ladies in these terms has served to profit men in all fields, in the political, open, and private domains, while causing this gap between the sexes to show up as a characteristic given that has consistently existed, all through time. The belief system of sex has effectively positioned ladies into a crate, in which their voices are quieted, and their activities are rendered inconsequential, and therefore imperceptible, or are profoundly investigated, and accordingly rebuffed. Notwithstanding, the acknowledgment that the class of ‘woman’ is a social development and not a natural basic offered ascend to a bunch of women's activist hypotheses that attempted to find and deconstruct â€Å"predominantly male social paradigms,† while rescuing women’s encounters from the destruction of customary verifiable and scholarly analysis that overlooked, quieted and minimized them (Green and Kahn 1). At the focal point of the male social worldview is the ability to make and reproduce significance from a male viewpoint, anyway one-sided or slanted it might be; de Beauvoir contends that the â€Å"representation of the world, similar to the world itself, is crafted by men; they depict it from their own perspective, which they mistake for the supreme truth† (qtd. in MacKinnon 537). Men have utilized this capacity to name, and along these lines own, beginning and end from the earliest starting point of time; in the Genesis story of creation, not exclusively was Eve made from Adam’s rib, she was likewise named by Adam, and appropriately, she got apparent as his property. This capacity to make and reproduce significance is profoundly settled in recounting stories, most routinely known as the composition of history, which has been ruled by men, who have expounded on men for men. Women's activists have contended that, because of having the option to compose things into reali ty, men employ a wild measure of capacity to compose the female body into a huge number of abused jobs, and through fundamental bigotry, misogynist, heterosexism, and classicist control, ladies have been

22 James Baldwin Quotes on Life, Literature, and Prejudice

22 James Baldwin Quotes on Life, Literature, and Prejudice “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read,” James Baldwin said in 1963 in an interview for LIFE Magazine. There are so many perfect James Baldwin quotes about everything from writing to America that it was difficult to fit them into one post. The American novelist, social critic, and essayist wrote about race, homosexuality, writing, history, and more in his non-fictionâ€"his most famous works including essay collection Notes of a Native Son and long essay and letter to his nephew, The Fire Next Time. Baldwin fictionalized the lives of gay and bisexual African American men in his novels and plays such as Go Tell It On the Mountain and Giovanni’s Room, as well as exploring the urban life of Black Americans in Another Country.   Baldwin lived most of his life after the age of 24 in Paris, disillusioned by American racism and homophobia and hoping to write outside of what seemed like a limiting African-American context. He is one of America’s most important exile writers, and one of its most thoughtful critics.   ON MUSIC “All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours.” â€"from  Sonny’s Blues  (1957) ON LIFE “To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the making of bread.”  â€"from  The Fire Next Time (1963) ON LOVE “Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.”  â€"from  Nobody Knows My Name: More Notes of a Native Son (1961) “Love takes off masks that we fear we cannot live without and know we cannot live within.”  â€"from  The Fire Next Time  (1963) “People cant, unhappily, invent their mooring posts, their lovers and their friends, anymore than they can invent their parents. Life gives these and also takes them away and the great difficulty is to say Yes to life.” â€"from  Giovanni’s Room  (1956) “Everybody’s journey is individual. If you fall in love with a boy, you fall in love with a boy. The fact that many Americans consider it a disease says more about them than it does about homosexuality.” â€"from  Conversations with James Baldwin  (1989) ON PREJUDICE “People who treat other people as less than human must not be surprised when the bread they have cast on the waters comes floating back to them, poisoned.” â€"from  No Name in the Street (1972) “I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.” â€"from  Notes of a Native Son  (1955) “I know what the world has done to my brother and how narrowly he has survived it. And I know, which is much worse, and this is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. One can be, indeed one must strive to become, tough and philosophical concerning destruction and death, for this is what most of mankind has been best at since we have heard of man. (But remember: most of mankind is not all of mankind.) But it is not permissible that the authors of devastation should also be innocent. It is the innocence which constitutes the crime.” â€"from  The Fire Next Time  (1963) “There are so many ways of being despicable it quite makes one’s head spin. But the way to be really despicable is to be contemptuous of other people’s pain.” â€"from  Giovanni’s Room  (1956) ON AMERICA “Well, if one really wishes to know how justice is administered in a country, one does not question the policemen, the lawyers, the judges, or the protected members of the middle class. One goes to the unprotectedâ€"those, precisely, who need the laws protection most!â€"and listens to their testimony. Ask any Mexican, any Puerto Rican, any black man, any poor personâ€"ask the wretched how they fare in the halls of justice, and then you will know, not whether or not the country is just, but whether or not it has any love for justice, or any concept of it. It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.” â€"from  No Name in the Street (1972) “I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, ones own moral center and move through the world hoping that this center will guide one aright.” â€"from  Notes of a Native Son  (1955) “What one does realize is that when you try to stand up and look the world in the face like you had a right to be here, without knowing that this is the result of it, you have attacked the entire power structure of the Western world.”  â€"from a 1969 talk in London ON HISTORY “To accept one’s pastâ€"one’s historyâ€"is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.” â€"from  The Fire Next Time (1963) “Precisely at the point when you begin to develop a conscience, you must find yourself at war with your society.” â€"from “A Talk for Teachers,” 1963 ON POVERTY “Anyone who has struggled with poverty knows how extremely expensive it is to be poor.” â€"from  Nobody Knows My Name: More Notes of a Native Son (1961) ON CHANGE “Not everything that is faced can be changed, but nothing can be changed until it is faced.”  â€"from  The Cross of Redemption: Uncollected Writings  (2010) ON RELIGION “If the concept of God has any validity or any use, it can only be to make us larger, freer, and more loving. If God cannot do this, then it is time we got rid of Him.”  â€"from  The Fire Next Time (1963) ON WRITING “I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done.”  â€"from  Notes of a Native Son  (1955) “One writes out of one thing onlyâ€"ones own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.” â€"from  Notes of a Native Son  (1955) ON BOOKS “You read something which you thought only happened to you, and you discover that it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that he is alone. This is why art is important. Art would not be important if life were not important, and life is important.”  â€"from “An interview with James Baldwin” (1961)

Office Of An Ad Hoc Homeless Tent City - 2373 Words

Background In December of 2014 the Albuquerque downtown experienced the establishment of an ad hoc homeless tent city of approximately 80 homeless living in 36 tents located at First and Iron SW. Over the course of two months city social services along with community agencies attempted to address the needs of the tent city residents. By February 4, 2015 the tent city had been reduced to 14 tents. On February 9, city government ordered eviction notices to the tent city residents. Following the February 9 eviction order, significant public criticism of the city’s handling of the homeless tent city was voiced at the February 18, and March 2 Albuquerque city council meetings. During the February 18 city council meeting, homeless advocates†¦show more content†¦Contents Methodology Albuquerque Homeless Demographics Government Approach to Sheltering Homeless Albuquerque’s Ad Hoc Tent City Las Cruces’s Tent City Discussion Recommendations Methodology This report’s methodology consists of the following: 1. Homeless demographic research using the New Mexico Coalition to End Homelessness (NMCEH) 2013 Point in Time (PIT) Homeless Count. Demographic research will focus on total homeless, age, behavioral health, and transitional housing/sheltered/unsheltered status. 2. Research of Albuquerque’s city government position on sheltering approaches for the homeless using inputs from city officials and homeless advocates 3. Research of Albuquerque’s ad hoc tent city for the homeless focusing on inputs from tent city residents, community residents, and homeless advocates. 4. Research of Las Cruces’ Hope Village for the homeless focusing on inputs from tent city residents, community residents, homeless advocates and Las Cruces city officials. Albuquerque Homeless Demographics On January 28, 2013, New Mexico Coalition to End Homelessness coordinated the 2013 PIT Count in collaboration with Albuquerque Heading Home. The U.S. Department of Housing and Urban Development (HUD) considers a person to be homeless if he or she is staying in an

Safety and Hazards in Oil and Gas Industry - 4535 Words

Occupational Hazards in Oil amp; Gas Industry Occupational Hazards in Oil amp; Gas Industry Dr Salahedin Bendak Nauman SharifU00015925 Mohammad Alghafri U00017849 15-May-12 Dr Salahedin Bendak Nauman SharifU00015925 Mohammad Alghafri U00017849 15-May-12 Design for Environment amp; Safety Engineering. Design for Environment amp; Safety Engineering. Table of Contents What is oil and gas industry? †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦2 How oil and gas is drilled for? †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦2 Occupational Hazards †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦4 Occupational Hazards in Oil and Gas Industry †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦5 Safety implementation †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦13 Conclusion †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦17 References †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦18 What is oil and gas†¦show more content†¦The process of drilling for oil is classified into three segments; Primary, Secondary and Tertiary. Each is explained below in a condensed form: Primary During the primary recovery stage, reservoir drive comes from a number of natural mechanisms. These include: natural water displacing oil downward into the well, expansion of the natural gas at the top of the reservoir, expansion of gas initially dissolved in the crude oil. Secondary At some point there will be insufficient underground pressure to force the oil to the surface or the viscosity of the oil will be too high. Hence, secondary recovery methods are applied. Sometimes pumps, such as beam pumps and electrical submersible pumps (ESPs), are used to bring the oil to the surface. Other secondary recovery techniques increase the reservoirs pressure by water injection, natural gas reinjection and gas lift. Tertiary Thermally enhanced oil recovery methods (TEOR) are tertiary recovery techniques that heat the oil, thus reducing its viscosity and making it easier to extract. Steam injection is the most common form of TEOR. Here, a gas turbine is used to generate electricity and the waste heat is used to produce steam, which is then injected into the reservoir. Occasionally surfactants are injected to alter the surface tension between the water and oil in the reservoir, mobilizing the oil.Show MoreRelatedSafety and Hazards in Oil and Gas Industry4544 Words   |  19 PagesOccupational Hazards in Oil amp; Gas Industry Occupational Hazards in Oil amp; Gas Industry Dr Salahedin Bendak Nauman SharifU00015925 Mohammad Alghafri U00017849 15-May-12 Dr Salahedin Bendak Nauman SharifU00015925 Mohammad Alghafri U00017849 15-May-12 Design for Environment amp; Safety Engineering. Design for Environment amp; Safety Engineering. 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Argo and Casablanca †Main Characters Comparison Free Essays

Both Tony and Rick are faced with a dilemma throughout Argo and Casablanca, respectively. They catch themselves getting more and more involved with the escape plan, and then their emotional connection leads to altruistic actions. Both Argo and Casablanca have a scene that underscores these characters transitions. We will write a custom essay sample on Argo and Casablanca – Main Characters Comparison or any similar topic only for you Order Now On the first movie Mendez, have a heated up conversation with his boss on the phone, while on the other movie, Blaine points a gun at an official. Up to this part, the characters were very cold, and professional, however, after it they become attached to the people that are being saved. On one side, the scene selected in Argo focuses on: camera proximity and movement, decor and framing. On the other side, the scene selected in Casablanca focuses on: soundtrack, camera movement and positioning, and on and off screen space. The camera proximity and camera movement in Argo, emphasizes the characters reactions, by always showing the character with the strongest reaction. It is noticeable that the camera zooms in Tony as soon as he is alone in the room, and is kept that close to him until the end; his supervisor only has one close-up shot, while the camera spins around him, it is when he is explaining the new changes in CIA’s operation, and for the rest of the scene, the camera captures Jack O’Donnell through medium/close-up shots, finishing with a medium shot of him breaking a cup on his table. The camera is handheld on Mendez’ shots, creating a more personal, and emotional perception of the character, while the zoom highlights his reactions and creates tension to the scene as whole. The steady shots of Jack are calmer, and more impersonal, making him look more professional, and less emotive. The framing plays an important role on this sequence. Both Tony and Jack are placed on the right side of the screen at first, with Tony changing sides on the frame only when he states that he and his boss are responsible for the people they are trying to save. The right side of the screen is reserved for when the characters are more impersonal and professional, while the left side of the screen is used only when Tony explicitly becomes emotionally attached. Decor and lighting differentiate the perception of each space used on the scene. In the house located in Iran, the lighting is darker because the scene is slightly underexposed, which helps create a low-key effect, while warm colors dominate the location. This assists on the creation of a more intimate environment, just like a house should be. On the other side of the world, in CIA’s headquarters, O’Donnell’s office receives natural lighting from its window, which illuminates a blue wall as well as a typewriter of the same color, making this space look like a professional location, analogous to a typical workplace. In Casablanca, the camera positioning and movement play an important part too. However, the positions and movement are broader, ranging from long shots to close-ups and from static positioning to panning around the location; different angles are used as well. Long shots in addition to panning introduce the area that will be used throughout the scene, which are the Cafe’s bar, and its entrance, that is seen from both the inside and outside. Another panning, more noticeable than the others, is the one that shows Renault spying on the other characters from Rick’s office; the camera pans in a diagonal fashion from the upper right, where the officer is hidden, to the lower left, the spot where the three other character are and also the place where the rest of the sequence takes place. Racking focus is used when Major Strasser’s subordinate opens his office’s door; the focus quickly changes between the man and his superior. A low angle is used when the official says that Laszlo is under arrest, which aggrandizes the captain. In this scene, mood and tension is accomplished mainly by soundtrack and sound effects instead of dialogue, in comparison to Argo’s selected scene, which does exactly the opposite. At first, when Rick is talking to Ilsa, the song â€Å"As Time Goes By† plays on the background as a motif, creating intimacy between them, and as Victor joins them, the song transforms for a brief moment, suddenly disappearing when Renault, in the same shot as aforementioned in the last paragraph, surprises the Resistance hero, thus producing tension. To increase tension even further, a sound effect is used when Rick points his gun at Louis, and his voice is heard off-screen, until the camera tilts towards his face. The soundtrack is back before long, and its purpose now is to underscore tension as Renault makes the phone call. In terms of formal elements, Casablanca’s selected sequence relates more to the rest of the movie than does Argo’s, because only the editing and mise-en-scene aspects are kept the same through the picture, the sound and cinematography are an exception to the rule. Casablanca brands its mise-en-scene and cinematography with relatively spacious locations, and the camera helps to manifest it by using wide angled lens on top of long-shots. Lighting is often the standard three-point scheme, and it kept fixed on most reaction shots. Men are always formally dressed, while Ilsa changes between three different outfits and the cinematography is widely characterized by the use of straight-on angles, to maintain neutrality towards characters, with the exception of a few low shots, which raises some characters’ power. Long shots are predominant on the beginning of scenes, and medium shots, showing two or more people in a group, soon substitute it; close-ups are used mostly for reaction shots. Camera movement includes everything, but handheld and aerial shots. Wide-angle lenses are the favorite in this motion picture. The editing and sounds, follows Hollywood’s standards, always consist of an establishing shot on the beginning of each new scene, introduced by a dissolve from the previous scene’s last shot, and a shot/reverse shot when characters are talking. Usually the rhythm happens on a medium speed. The diegetic sounds prevails, and are easily noticed, they include: most of the music heard on Rick’s Cafe, background noises and sound effects of all sorts, and dialogues. The start of both Argo and Casablanca are almost the same, a narration in addition to various dissolves, introduces rapidly where the films will take place and also a point on history, the only difference is that Casablanca uses a globe, while Argo utilizes the sketches of the fake movie. In Argo, only the editing and mise-en-scene relates to the chosen sequence and the rest of the movie. The main locations are six: Los Angeles, the Central Intelligence Agency’s headquarters, the Iranian house, Iran’s streets, the airport/airplane, and the US embassy on the opening of the movie; and each of them has its own rhythm and amounts of tension, with the ones located in United States having the longest takes with less direct tension and the ones in Iran’s outdoors being the most tense ones and with the shortest takes. The connection between the countries is made with the repetitive use of cross cutting on some sequences. Continuity practically does not exist on the chosen sequence, but does on the rest of the motion picture. Most of the lighting is supposed to be natural. The costumes are typical of each character’s home country. The editing strongly relates to Casablanca by using Hollywood’s standards, like dissolve between scenes, shot/reverse shot during conversations. Cinematography is very different among scenes, and uses all of the possibilities. The scene selected is the only one with a handheld camera with shots focusing on only one character; the other uses for this technique always include groups of people. Aerial shots are also included throughout the movie, in contrast with Casablanca that has none. The camera is always on the eye-level of the shortest character being shown. Close-ups are equally used to show reactions and details, with more camera movement on the last. Sound use is somewhat more complex in Argo, with many off-screen and voice over sounds, like when a conversation is held over the phone or background noises for instance. However, for all the other sections Casablanca and Argo are very similar. Tony and Rick are exclusively professional characters, both of them possess a high social position, and are financially stable, they also enjoy desired political positions among their peers, and neither display signs of emotional attachment to others, until the selected scene on each movie. After it, both characters start to be perceived as warmer people, who are still able to be, in their own ways, part of intimate relationships. As the pictures get closer to their ends, Mendez and Blaine are not seen exclusively as professionals anymore, but as more altruistic persons, the CIA’s agent also boosts his social, and political, position by receiving an award, while the Cafe’s owner earns respect from the couple and the corrupt official. In the end, it is easily acknowledged that both movies are more similar than different, with a special call for their plot, beginning, development of main character, and major formal elements. The differences, if evaluated properly, are almost none, and are all hidden among small details. Coincidentally or not, Michael Curtiz has a quote that applies appropriately to both Tony and Rick when they become emotionally attached to the hostages and the couple, respectively; the quote is â€Å"The only things you regret are the things you don’t do. † How to cite Argo and Casablanca – Main Characters Comparison, Essay examples

Persuasion Speech Essays - Smoking, Cigarette, Electronic Cigarette

Persuasion Speech Rob Burke Com 210 Mr. Hunn Persuasion speech Intro: Today I would like to inform you why cigarettes are bad, and why you shouldn't smoke. Did you know that smoking related deaths total up to the #1 cause of death in peoples. Not only can it effect you personally but it can also harm others around you. Main Idea I: Why do people even start smoking? 1.) Some start young because they think its cool a.) They may see older people do it. b.) Maybe their friends smoke and they want to fit in. c.) Some just want to impress the opposite sex. 2.) Access is sometimes is very easy. a.) Their Parents are smokers and they can easily steal them from their pack. Main Idea II: Here are some ways to quit smoking. 1.) There is a patch, which sends nicotine through your skin, 2.) Nicorett Gum is where you chew and the nicotine goes through you walls of your mouth. 3.) Some may believe the best way though is to go Cold Turkey a.) This is where you use mental will to cut off all nicotine intakes until your body is no longer addicted to it. Main Idea III: Why would you want to quit smoking? 1.) The whole idea is to respect your body. The more you respect your body the healthier you will be. Being Healthy makes you more attractive. 2.) Second hand smoke can be harmful to others. a.) People breath in carbon monoxide with the exhaled smoke. b.) When you smoke your cigarettes, they burn so it is like the people with you are breathing it in too. 3.) Quitting smoking makes since for how they effect your life span. a.) It takes 10 marijuana cigarettes to equal 1-tobacco cigarettes. b.) Every cigarette takes 10 min off your life. - Therefore one pack would take 200 min of your life. - On pack a day for a week is 1400 min and 35 dollars. - In one year that is 72800 min and $1, 825. Conclusion: As you can see, smoking doesn't exhibit and positive effects for your life. It may seem good for the time but when you are diagnosed with cancer it won't be cool to go through Chemotherapy. Medicine Essays